The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits.
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The neo-noir detective -- more antihero than hero -- is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era.
Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration. Much has been written about neo-noir's distinction from classic noir, the continuous presence of the femme fatale, and neo-noir's connection with horror films, but the 13 new essays in this anthology Mark T.
The Philosophy of Film Noir by Mark T. Conard | Waterstones
The Philosophy of Neo-Noir. The Boundaries of Humanity. John Locke Personal Identity and Memento. Problems of Memory and Identity in NeoNoirs.
Kant and the Death of. Atonement and Moral Inversion in Hard. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture.
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A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy. Much has been written about neo-noir's distinction from classic noir, the continuous presence of the femme fatale, and neo-noir's connection with horror films, but the 13 new essays in this anthology The Philosophy of Film Noir. Mark T.
Conard , Robert Porfirio. The Philosophy of Neo-noir Mark T. Like ourselves, I replied; and they see only their own shadows, or the shadows of one another, which the fire throws on the opposite wall of the cave? The Philosophy of Film Noir The philosophy of popular culture.